In a narrative

In a narrative, a motif establishes a pattern of ideas that may serve different conceptual purposes in different works. Kurt Vonnegut, for example, in his non-linear narratives such as Slaughterhouse-Five and Cat’s Cradle makes frequent use of motif to connect different moments that might seem otherwise separated by time and space.3 In the American science fiction cult classic Blade Runner, director Ridley Scott uses motifs to not only establish a dark and shadowy film noir atmosphere,4 but also to weave together the thematic complexities of the plot. Throughout the film, the recurring motif of “eyes” is connected to a constantly changing flow of images, and sometimes violent manipulations, in order to call into question our ability, and the narrator’s own, to accurately perceive and understand reality.567

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